Special Issue: William Carlos Williams and Wallace Stevens...................Spring 2003
Editor
Carol Cantrell
Layout and Design
Luann Barnes
The Enhancement of Static to Dynamic Images in Wallace Stevens - Thomas CainThe Abstract Imagination: Decreating reality in “The Man with the Blue Guitar” - Brian CallahanPoetry that Acts What It Asserts: From Ideology to Experience in the Poetry of Wallace Stevens - Christine ChristmanThe Mentoring Relationships Among Marianne Moore, William Carlos Williams and Denise Levertov - Bonnie M. EmerickAhh, the Power of Negation: Wallace Stevens’ use of what is not to help us see what is - Jenna McWilliamsthe animal, walking, the city: The interpenetration of thought and body in William Carlos Williams’ Paterson - Margo ParasakaWhere Does It Hurt? An Exploration of the Impact of William Carlos Williams’ Vocation on His Avocation - Joel PotterSubject v. Object: The Condition of the Relationship Between Man and the World - Aaryn RichardSubjectivity, Objectivity, and the Différance Between: Recognizing the universal through particulars in William Carlos Williams’ “The Widow’s Lament in Springtime” - Rosa SalazarFrom the Pens of “Leaping” Poets: Parataxis as a “Leap” Between Robert Bly and Wallace Stevens - Kevin Ward
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