Day 1 - Tuesday, August 23th
Tuesday, August 23: Daily Class Outline
To introduce the course, yourself, your policies, the course texts, and your students to one another. Begin to address writing as a situated activity (a series of choices made for a specific audience and purpose within a given context). Introduce the concept of "Writing as Joining a Conversation."
Connection to Course Goals
The interview activity establishes communication necessary for peer reviews and classroom discussions. The review of course concepts establishes familiarity with ideas that will be returned to and developed throughout the course.
Introduce the Course and Yourself (5 minutes)
Make sure everyone is in the right course and section by putting your name, the course number, title, and section number on the board. This helps students who have wandered into the wrong room and let's them know immediately who you are. Expect a few students to arrive late on the first day-many are getting used to a new campus.
When you introduce yourself, clarify what you would like your students to call you. Recall our discussion of professionalism/formality from training: how formal you are regarding your name plays a role in the tone you set for your classroom from this day on. Be prepared, though, for students to make mistakes and call you the incorrect name or default to calling you "Professor" or "Mr./Mrs." out of habit or lack of comfortableness.
Hand out the orange Add/Drop sheet given to you in your mailbox. Emphasize that students cannot drop the course after the date on the orange add/drop sheet you handed out--no if's, and's or but's. They also cannot withdraw from CO150 as they might from other courses. If they want out, they must do it by the drop date, which is generally the end of the first week of classes.
One good way to get to know students and to take attendance in subsequent classes is to have them fill out a note card on the first day of class that provides you with their full name/nickname, year in school, major, email address, local phone number (for emergency contact), any previous composition or English classes taken, and any special needs they might have.
Take Attendance (5 minutes)
Call out names and record attendance on your roll sheet. Also write on the roll sheet any nicknames as well as phonetic pronunciations of difficult names. While you'll probably use some other attendance-taking measure in the future (such as collecting homework), taking the time to call roll during the first few days will help you learn students' names. Once you've gotten through your roll, ask if there is anyone you missed.
- Ask unlisted students who say they're positive they're registered and in the right place to stay after class. Because students may have added or dropped since the time your roll sheet was generated, you will most likely have students who have registered for your class whose names do not appear on the roll. Ask them to stay after class and give you their names and ID numbers. Others will think they are enrolled in your section, but that must be confirmed through the registrar. (We have a laptop computer in the main office-Eddy 359-that will be set to give you current rosters for your sections.)
- Do not promise extra students that they will be able to enroll or override. The English department works very hard to keep our writing courses capped at low numbers. Overriding extra students into sections jeopardizes this and also creates extra work for you.
- Suggest that students who wish to get into your section dial in through RamWeb (the online student enrollment process). If a student is adamant about getting into your class and claims that they just have to have this class right now, send them to speak with Sue Russell in the English Department. She will review their situation and try to find them a section.
Transition to Next Activity
Use transition statements to connect activities for your students. Most teachers write down a few notes on their lesson plans to remind themselves of what they want to say between activities and then weave the transitions into the natural flow of conversation during the class session. This helps students see why activities are relevant and how they fit into the lesson. We are not asking you to read the suggested transitions here like a script. Use the transitions in this syllabus to the extent that works best for you and ultimately construct your own transitions before class or in an impromptu fashion.
Sample Transition: CO150 is a discussion based course. Unlike some of your larger courses, this class asks you to work closely with your peers to share ideas and get feedback on your writing. So, before we get started today, let's take a few minutes to get to know each other.
Conduct the Interview Activity (15 - 20 minutes)
Have students pair up with someone sitting nearby. They should find out the other person's name, major, interests, and one distinct or interesting thing about themselves. Then, ask students to introduce one another to the class. You might have them state the person's name and one interesting or memorable thing about them.
If you have time, you could add a challenge to this activity. Once students have been introduced, see if each person can remember one thing about another student. You should start the process (i.e. "That's Amanda and her grandfather was a pro baseball player"). Then, Amanda has to remember something about someone else (i.e. "That's Jonathan and he has fourteen siblings"). Then, Jonathan picks another student and so on until everyone has gone. If the game gets stuck, ask students who haven't gone to raise their hands or to offer hints. Also, in order for the last person to have a chance to "play" you should restate your name and something interesting about yourself before the game begins.
Sample Transition: Explain that before you present the class with your expectations for the course, you'd like to find out what the students expect. You might say: Before I present you with my expectations for the course, I'd like to see what you expect from it.
Assign a Write to Learn (5 minutes)
A "Write-to-Learn" (WTL) is a pedagogical tool often used in CO150. Tell students they can expect to do WTLs frequently to help them collect their thoughts, jump-start a discussion, reflect on a text they read, or generate ideas for papers. Let students know whether you will always collect their WTLs or if you will collect them at some later point (at the end of each week or with their portfolios, for instance). (See the "Collecting Homework" section in the introduction to the syllabus.)
Have students take out a piece of paper and write for five minutes about their expectations for CO150. What do they think the course will be about? What do they hope to learn? What do they think will be most challenging? You can put these or other questions on the board or on an overhead. When students are finished, collect the WTLs and tell them you'll read their responses and address them during the next class.
Sample Transition: You might say: The course policy statement will help you understand the expectations for this course. Hopefully, it will address some of the concerns you just brought up.
Distribute and Explain Policy Statement (10 - 15 minutes)
Present the course policy statement, emphasizing the policies that you consider most important. Be sure to explain at least the following:
Other things to highlight:
- Grading (for major assignments and overall class)
- Grading for homework assignments
- Late papers
- Special Needs (make it clear from the beginning of class that you are more than willing to accommodate students with special needs such as learning disabilities, physical impairments, etc. but that it is the students' responsibility to let you know of these before problems occur).
You may want to have a copy of your policy statement on an overhead with essential ideas highlighted. If not on the overhead, just having your own highlighted copy can help quell those first-day jitters and prevent you from forgetting anything critical. Or, delegate some of the responsibility by having students read sections aloud.
- Specify the goals of the course goals: Take a few moments to explain what CO150 is about, the course theme (Participating in Current Conversations - such as the discussion surrounding youth and alcohol consumption), and what students should expect/learn from it (this should be on your policy statement in a couple of sentences). This is also a good opportunity to hand out a syllabus for at least the first unit* and/or an assignment overview so that students can make note of major due dates throughout the semester.
- If you are using the Writing Studio Calendar as your day-to-day syllabus, you can explain to students how they can access this today or during the next session (to ensure that all the correct students are present). Regardless, we suggest using an overhead at the end of each class to assign homework for the first 2-3 days.
- Show/introduce the course text - The Prentice Hall Guide.
Introduce Key Course Concepts (20 minutes)
First, introduce the terms: purpose, audience and context. Explain to students that experienced writers often think actively about their purpose, audience and context and that this is something we hope they will get into the habit of doing.
Cover these points in any order that feels right for you. You may choose to write this information on the board or present it on an overhead.
At this point, you might ask students to think about their own purposes for writing. You could ask them questions like:
- Purpose - Writer's have purposes. Maybe their purpose is to simply inform. Or perhaps they want to convince readers to agree with their ideas. Or, they may just want to entertain. There are many purposes for writing.
What is your purpose when you write an e-mail to a friend?
What is your purpose when you send your parents a letter during the first week of school?
What is your purpose when you write a paper for a composition class?
Ask students to think about how audience might play a role in meeting their own purposes. For example, you could say:
- Audience - Writers think about their audience so they can successfully achieve their purpose. First, they need to determine who their audience is and what they are like. Then they might ask: What does this audience know about my subject? How will they feel about my ideas? What can I do to make them view me as credible and trustworthy?
Let's say that your purpose is to convince your parents to give you their car for the weekend. What do you need to know about this audience (your parents)? How will you shape your argument to fit their needs and expectations?
How might this argument look differently if you changed your audience? Let's say you were asking your best friend to borrow their car. What might you say to them that you wouldn't say to your parents?
Have students consider how context influences their writing:
- Context -In addition to audience, writers need to think about their context. Here, context refers to the situation or circumstance that surrounds a piece of writing. Context includes things like: the time a text was written, the place it was written, the place it was published, and the cultural events that were occurring at that time (i.e. Something written during the Civil War is attached to a particular historical context. If we know little about that time period, it's likely we won't fully understand the text).
Our context involves a college writing classroom during the first week of school in the year 2005. How might this context affect the way we write in here? How might this writing look different than the kinds of writing that were produced in college classrooms fifty years ago?
How does your writing change in other contexts (i.e. When you're writing for a science class? When you're writing an email to a friend?)
Writing as Conversation. Once students are comfortable with purpose, audience and context, tell them there is one more basic concept you'd like to cover today: Writing as Conversation. You may explain this concept in whatever way feels most natural.
Here's our explanation: Writers who think about purpose, audience and context are usually involved in what we (and many other rhetoricians) refer to as a conversation. They write as a way to participate in an ongoing dialogue on an issue. Unlike the writing we often do for school (which can sometimes feel forced or detached) this kind of writing is very purpose driven. We call it a conversation because like a conversation the exchange of ideas continues to build until writers arrive at some answer or truth.
In order to participate in a conversation, writers need to know what has already been "said" and where the conversation is currently headed. They don't want to risk seeming naïve or uninformed by repeating what others have already pointed out (i.e. "Save the rainforest." Or, "The media has a liberal bias!") Rather than reinventing the wheel, writers would do better to research what's already been said about an issue and then build off it by adding something new to the conversation (i.e. "The media's perceived liberal bias may affect the way people currently view the war in Iraq").
CO150 relies heavily on reading and research so students may become informed and accountable for what's been said before joining the conversation.
You may want to present the ideas above visually by using a graphic representation. You could put it on an overhead or draw it on the board.
1.) We begin by reading what others have written on a current, debatable issue.
2.) We form our own opinions on the issue and find ways to support our ideas.
3.) We add to the conversation by writing our own arguments or texts for others to read and respond to.
Conclude the Class and Assign Homework (3 minutes)
You might say something like: The first "conversation" that we'll take part concerns the topic of alcohol consumption on college campuses. For next class, you'll read two different articles concerning this issue.
Homework (put on an overhead):
- Read about Rhetorical Situations on pgs. 18 - 24 in The Prentice Hall Guide (PHG).
- Print off and read the article published by NBC titled, "College Binge Drinking: Administrators Struggle with Student Alcohol Consumption" and the article by Francine Katz titled, "Staying Sober, Being Cool." (Both articles are available through E-reserve at Morgan Library)
- Type a 1 page response to the following prompt: The NBC article presents binge drinking as a widespread problem on college campuses, but Katz's article claims that most students are making responsible decisions. What do you think? To what extent is the consumption of alcohol really a problem for college students? If you believe it is a problem, what do you think should be done about it? If you don't believe it is a problem, why do you think so many others view it as one?
- Bring both articles, your response, and your Prentice Hall Guide (PHG) to class on Thursday.